8pm doors / 8:30pm performance
$15 general admission / Free for members
Reserve seats: member login or guest registration
Rashaun Mitchell + Silas Riener: Dance
Phillip Greenlief: Saxophone
Evelyn Davis: Piano
Since 2010 Rashaun Mitchell + Silas Riener have created dance in response to complex and active spatial environments, often merging elements of fantasy, absurdity, and quiet contemplation into challenging multifaceted performance. After working together in the Merce Cunningham Dance Company, Mitchell and Riener developed a keen interest in the way abstraction and representation coincide in the body. Their collaborative work takes many forms, from site-specific installations, improvisational dances, and traditional proscenium pieces to highly crafted and intimate, immersive experiences. Historical influences and aesthetic forms collapse into a visually charged hybrid physical language. Together they have been part of Lower Manhattan Cultural Council’s Extended Life Dance Development program, the New York City Center Choreographic Fellowship, and have been artists in residence at EMPAC, Mount Tremper Arts, Wellesley College, Jacob’s Pillow, and Pieter. Their work has been presented at MOMA PS1 as part of Greater NY, The Chocolate Factory, New York Live Arts, Danspace Project, REDCAT, ICA Boston and Summer Stages Dance, the Walker Art Center, the Museum of Contemporary Art Chicago, On the Boards, and the Brooklyn Academy of Music.
Since his emergence on the west coast in the late 1970s, saxophonist Phillip Greenlief has achieved international critical acclaim for his recordings and performances with musicians and composers in the post-jazz continuum as well as new music innovators and virtuosic improvisers. He has performed and recorded with Wadada Leo Smith, Meredith Monk, Rashaun Mitchell and They Might Be Giants; albums include That Overt Desire of Object with Joelle Leandre, All At Once with FPR (Frank Gratkowski, Jon Raskin, PG), and Lantskap Logic with Fred Frith and Evelyn Davis. Recent residencies have included Headlands Center for the Arts and the Banff Center for the Arts. His critical writing has been published in Artforum, SFMOMA's Open Space, and Signal to Noise.
Detroit native and general wanderer Evelyn Davis is an inside/prepared/new music pianist, improvisor, pipe organist, composer, vocalist, synthesist, teacher, songstress, and maker of /participator in oddly shaped musics with an occasional side of performance art. She is an improviser that has recorded with Phillip Greenlief, Fred Frith, and Michael Zerang, among many other esteemed musicians from Chicago and the SF Bay Area. She has appeared at several prog festivals in Europe, including Rock in Opposition festival in Carmeaux, France, and Different Sounds Festival in Lublin, Poland. Evelyn holds degrees in Jazz from Southwestern Community College, in Composition from Indiana University, and a Master’s degree in Performance and Improvisation from Mills College. Evelyn created and performed the music of Frankenixon, with the help of guitarist Joe Kiplinger.
8pm doors / 8:30pm performance