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Subversive Complicity Print E-mail
Mantra TrailerExhibition runs: May 1-24, 2008
Opening Reception: Thursday, May 1, 6-9 PM
Gallery Hours: Wednesdays - Saturdays, 1-6 PM

Featuring: Laurel Beckman; Chris Barr; Julia Bradshaw, James Morgan, and Bennett Goble; Elisheva Biernoff; Cesar Cornejo; Holly Crawford; Sharon Daniel; Bryan and Vita Hewitt with Chuck, Inc.; Liss and Lake; Bradley McCallum and Jacqueline Tarry; Neighborhood Sign Club with Alison Pebworth, Leigh Ann Martin, and Megan Saperstein; Nancy Nisbet; Jennifer Parker with Matthew McGuinness; Sasha Petrenko; Johanna Poethig with VPA Painting and Mural Class, CSU Monterey Bay; Alyssa C. Salomon; Randy Sarafan; and Sherri Lynn Wood.

This project was organized by Heather M. Mikolaj (Curator) and Clare Haggarty (Assistant Curator), in collaboration with University of California, Santa Cruz faculty Dee Hibbert-Jones and E.G. Crichton

Subversive Complicity brings together a group of artists whose work inhabits the interstices of contemporary life – physical, temporal, and conceptual gaps within existing structures – in order to subvert everyday systems and raise social awareness in subtle, humorous, and radical ways. What happens when artists working within these spaces adapt and co-opt the strategies, languages, mannerisms, and visualizations from divergent social personas and cultural sources to create alternative modes of action and expression? The resulting range of projects presented in this exhibition suggests the myriad of possibilities for public and private transformation to emerge when artists assume such diverse roles as agent provocateur, broadcaster, political activist, conversationalist, oral historian, engineer, broker, trader, benefactor, gamer, and even evangelist. Through gallery documentation of past actions and a series of ongoing and special events these artists invite audiences into a set of conversations, resistances, and exchanges at once real and imagined, geographic and social, local and global. Come join us in this exploration of how art can disrupt, re-shape, and otherwise invigorate our daily existence through interventions enacted on the streets of San Francisco, across the landscape of the Bay Area, and within other cities and virtual realities far beyond. This exhibition was developed in association with the Intervene! Interrupt! Rethinking Art as Social Practice Festival hosted by the University of California, Santa Cruz. For more information, please visit: http://may2008.artintervention.org/.

Neighborhood Sign ClubSpecial Events:
CRITICAL CONVERSATIONS in a Limo, San Francisco – Holly Crawford

May 1: 5 p.m., 6 p.m., 7 p.m., and 8 p.m. at The LAB
Hop into a white limousine with eight strangers to converse about anything in art for one hour. Hosts, who are critics and curators, will guide conversations and offer refreshments. The limo will leave from and return to The LAB. Reserve your free space by calling the gallery at (415) 864-8855.

Neighborhood Portrait – Neighborhood Sign Club with Alison Pebworth, Leigh Ann Martin, and Megan Saperstein
May 3: 11 a.m. – 3 p.m. at the corner of 16th Street and Capp Street, San Francisco
Come meet your neighbors and paint a sign sharing in your own words the experience of living in and around the inner Mission District.

Chuck, Inc. presents Dinner by Chuck® – a performance by Bryan and Vita Hewitt with Joe Cornett, Scott Canaan, Michelle Dench, and Serene Moreno.
May 10: 6 p.m. at The LAB
Witness a brokered dinner that transposes stock market mechanics into the form of a meal exploring the valuation and commerce of food.

The Mantra Trailer – Sherri Lynn Wood
May 24: 11 a.m. – 3 p.m., Location to be announced.
Share your mantra – a prayer, petition, or aspiration for self or society – through this traveling mediation space, recording studio, and site of mysterious broadcast in the form of a 1972 breadbox trailer.

Artist Workshop: Breathalyzer Microphone – Randy Sarafan

May 24: 3 p.m. at The LAB
Learn how to install a high-accuracy breath-alcohol sensor into an XLR microphone and adapt the equipment for your own subversive inquiry into the social systems surrounding this technology. Sign up by contacting The LAB at (415) 864-8855.
 
2008 Bay Area Poetry Marathon Print E-mail

Curated by Donna de la Perriere & Joseph Lease


Poetry MarathonSaturday, May 17, 7-9 PM
Saturday, June 28, 7-9 PM
Saturday, July 19, 7-9 PM
Saturday, August 30, 7-9 PM
$3-$15 sliding scale admission


"An ear and mind opener... this event delivers the real thing: edgy stuff, poetry with a real bite!" --SAN FRANCISCO magazine

For the fifth summer in a row, the Bay Area Poetry Marathon brings its exciting mix of innovative literary voices to The LAB. Since its 2001 inception in Boston, de la Perriere and Lease's Marathon has developed a national reputation among experimental poets; past readers have included Opal Palmer Adisa, Dodie Bellamy, Lee Ann Brown, Maxine Chernoff, Norma Cole, Diane DiPrima, Jewelle Gomez, Noah Eli Gordon, Lyn Hejinian, Brenda Hillman, Paul Hoover, Kevin Killian, Leslie Scalapino, Truong Tran, and many more.

May 17 readers include: Dana Gottlieb, LaTasha Diggs, Hugh Behm-Steinberg, Matthew Shears, Israel Haros, and Richard Silberg. Upcoming summer 2008 events will feature Bin Ramke, Edward Foster, D.A. Powell, Truong Tran, Jennifer Scappettone, Chad Sweeney, Lorelei Lee, and others tba.

* For KQED's 2007 review of the BAPM, go to http://www.kqed.org/arts/lit/index.jsp?id=17560
* For more information on the BAPM, go to http://www.myspace.com/bayareapoetrymarathon
 
Alterations Print E-mail

Featuring Francesca Pastine in the Front Gallery


Francesca_PastineExhibition runs: May 28 – June 14, 2008
Opening Reception: Friday, May 30, 6-9 PM
Gallery Hours: Wednesdays - Saturdays, 1-6 PM


The work in Alterations manipulates and recontextualizes the actual pages of the New York Times and ArtForum magazine. Pastine’s Artforum Excavations series is an archaeological investigation. Through a process of cutting, slashing and digging, Pastine alters the form of the glossy, oddly proportioned magazine. In this aggressive act of "gutting", she creates a visceral topography of decades of art trends. Re-forming the magazine is also a sly way of manipulating the art scene rather than being manipulated by it. The Invisible Women Series came about from Pastine’s continuing investigation into the invisibility of women's’ work. She blocks out photographs and text through a process of burnishing the newspaper page with a 9B graphite pencil. The result resembles graphite-leaf with the untouched image embossed on the surface. The women are rendered invisible, and the work of covering them mimics the repetitive and often unseen efforts of household tasks. This process is also employed for the Iraqi Casualty series. Pastine edits the content and imagery of the news story by selectively blocking out large areas of the newspaper. The time-intensive task of burnishing the page with graphite serves as a penance for her impotence in the face of the insurmountable tragedy of the Iraqi war.

Content is reconfigured as a result of Pastine’s physical interventions with these print mediums. The sensory process of taking in information is made visceral. In this manner, she draws attention to the physicality of objects that are mentally consumed, and then discarded. Through these alterations, Pastine not only subtly shifts cultural output, she also prompts viewers to engage in an embodied experience of disembodied information.

 
Don’t You Know There’s A War Going On? Print E-mail

Featuring Erika Anderson in the Ticket Booth


Erika AndersonExhibition runs: May 28 – June 14, 2008
Opening Reception: Friday, May 30, 6-9 PM
Gallery Hours: Wednesdays - Saturdays, 1-6 PM


Don’t You Know There’s A War Going On? is a video installation of a cat playing with, dismembering, and eating a bird, paired to a soundtrack of current BBC news radio. The actual event borders on the banal, but the footage is jolting. This piece explores the prosaic nature of violence, its prevalent and consistent presence in our lives, and our obligation, if any, to do something about it. The piece invokes questions of the responsibility of the viewer, and by extension, all of us who bear witness to violence on a daily basis.

ERIKA M. ANDERSON grew up in the low-lit dive bars and rotten graveyards of South Dakota. She has strummed, wailed and whimpered in the deconstructo-folk/noise bands Amps for Christ, Gowns, and Some Dark Holler. Anderson studied Media Arts at the Claremont Colleges in California. Her video work has been included on the Kill Rock Stars Video Fanzine III, 5RC artists the Mae Shi's Lock the Skull, Load the Gun, Miranda July's Joanie4Jackie's Video MixTape, and has shown at various festivals and symposiums. Anderson currently resides in West Oakland, California.
 
ROUGH CUTS Print E-mail

Monday, June 9 - Tuesday, June 10, 2008
7:00 pm, complimentary drinks and hors d’oeuvres provided

$5 suggested donation
RSVP in advance to
kristen@thelab.org

Rough Cuts
is a series of work-in-progress documentary screenings that are produced every other month at The LAB. Each evening one rough cut of a feature-length documentary will be screened, followed by a moderated conversation about the film led by guests who are either accomplished filmmakers or established film professionals. These post-screening discussions are designed to give the filmmaker a better, more objective sense of what is working and not working with his/her film, with particular attention paid to improving the film’s structure and narrative clarity. We hope that the series also provides a welcome space for local filmmakers, film professionals, and fans of documentary film to meet and talk.

SUBMITTING TO ROUGH CUTS:

The LAB is currently accepting submissions for the June series. There is a $10 submission fee, payable to The LAB. To be considered, you must fill out the Rough Cuts application (Click here to download). Submissions must arrive by 5:00 p.m., Wednesday May 21st. Selections will be announced on Wednesday, May 28th. For the complete information about the selection process, click here: Rough Cuts further information. Specific questions about Rough Cuts can be sent to Chris Holbrook at cholbrooke@yahoo.com.

 
Striptease Auction and Fashion Trunk Show Print E-mail

OPEN CALL

Seeking fashion and jewelry designers, models/performers
Deadline to respond: May 22, 2008


Calling all fashion designers, models, and performers! We would like to invite you to participate in The LAB's third annual Striptease Auction and Fashion Trunk Show. The runway auction and trunk show will take place on Saturday, June 21 from 7-10pm, and the trunk show will take place Friday - Sunday, June 20-22 from 1-5pm.

Designers: During the live auction fashion show, items will be auctioned directly off models and given to the highest bidder. There is no fee to participate in this event, The LAB only asks for a donation of one look or outfit to the auction runway show (approximately 10-12 looks will be selected for the runway). Designers can provide their own model/performer or we will choose one for them. The LAB takes a 25% commission on trunk show sales. There will be a limit of 15 6’ x 6’ spaces for the trunk show; participation in the trunk show is not required. Designers participating in the trunk show must be present during the June 21 event to assist with sales; they do not need to be present June 20 or June 22. Works that cannot fit into the runway show will be included in the trunk show. There will be a $15 ticket price at the door for guests; participating designers will be given three free tickets to give out as they please. We hope you will participate in this exciting event; please respond to kristen@thelab.org with your name, full contact information, and a weblink or several jpgs of your work (images of proposed runway looks are especially helpful).

Models: The LAB is looking for both non-traditional and traditional volunteer models for the striptease auction runway show. Nudity is not required. Performers of all kinds are especially encouraged to participate. Please sign up to be on the list of models by emailing kristen@thelab.org; include your full contact information, height, size, recent photo, and performance or modeling background if any.